Art and Copyright by Simon Stokes

By Simon Stokes

The single booklet on hand within the united kingdom and is the reason the felony place in admire of copyright in artworks.

Show description

Read or Download Art and Copyright PDF

Similar decorative arts & design books

Basics Fashion Design: Construction

Development is the root of favor layout. It takes nice ability to take a two-dimensional drawing and switch it right into a winning garment--and now style designers can research these crucial talents, from fundamentals type layout: development. With no-nonsense textual content and greater than 2 hundred colour photographs, this booklet leads readers in the course of the crucial levels of making a garment, from development slicing to building and draping a model, to finishes and haberdashery.

October: the second decade, 1986-1996

October: the second one Decade collects examples of the cutting edge severe and theoretical paintings for which the magazine October is understood. A magazine anthology attracts a collective portrait; jointly, the accrued texts exhibit the journal's objectives and strengths. From the outset, October's goal has been to think about quite a number cultural practices and to evaluate their position at a selected historic juncture.

Medieval Costume in England and France: The 13th, 14th and 15th Centuries (Dover Fashion and Costumes)

Conscientiously researched, meticulously specified account of the fashion and building of interval costumes. contains descriptions and illustrations of royal clothing, complex ecclesiastical costume and vestments, educational and felony clothing, and civilian costume of all periods. additionally discusses jewellery, armor, textiles, embroidery and hairdressing.

Additional resources for Art and Copyright

Example text

E. 47 Indeed Rushton and others have argued that copyright protection for certain works, in particular “works of artistic craftsmanship”, is not justified by economic analysis. 49 45 This is the classic, albeit simplified, benefit-cost analysis in economics: see M. htm) (“Rushton”). 46 To quote Laddie J, “[t]he whole of human development is derivative. We stand on the shoulders of the scientists, artists and craftsmen who preceded us. We borrow and develop what they have done; not necessarily as parasites, but simply as the next generation.

53 This has now 50 D. Vaver, “Intellectual Property: The State of the Art” (2000) 116 LQR 621 at 636 (“Vaver”). See also his earlier article, “Intellectual Property Today: Of Myths and Paradoxes” (1990) 69 Canadian Bar Review 98, in which he argued that copyright, with its minimal standards for eligibility, is less concerned with authors, art and literature than with protecting the mass media (“art and literature [in comparison to the ‘army of standardized industrial products—fungible pop records, soap operas, formula films, pulp books’ .

3 For a general discussion of the justifications for intellectual property in the much discussed and controversial area of intellectual property protection for brands see B. Isaac, Brand Protection Matters (Sweet & Maxwell, London, 2000) chap. 8 (“Isaac”). 10 Art and Copyright affect what people do and say and how they earn a living. 2 JUSTIFICATIONS FOR COPYRIGHT 5 The main justifications for copyright fall into three broad areas. 1 The Economic/Utilitarian Justifications for Copyright In Anglo-American copyright law economic arguments have been prevalent.

Download PDF sample

Rated 4.84 of 5 – based on 17 votes