By David C. Ogden, Joel Nathan Rosen, Jack Lule, Roberta J. Newman
Female athletes are too frequently perceived as interlopers within the traditionally male-dominated international of activities. hindrances particular to ladies are of specific concentration in A Locker Room of Her Own. Race, sexual orientation, and the same features ancillary to gender endure precise exploration in how they impression an athlete's tale. primary to this quantity is the competition that ladies of their function as inherent outsiders are put in a special place much more complex than the standard stories of inequality and discord linked to race and activities. The individuals discover and critique the suggestion that during order to be thought of one of the pantheon of athletic heroes one can't deviate from the conventional demographic profile, that of the white male. those essays glance in particular and significantly on the nature of gender and sexuality in the contested nexus of race, attractiveness, and activity. the gathering explores the reputations of iconic and pioneering activities figures and...
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Extra resources for A Locker Room of Her Own. Celebrity, Sexuality, and Female Athletes
She could, moveover, take it as well as dish it out. 38 He might have added “athlete” to the list. Before Muhammed Ali roped his first dope, Babe was psyching herself up and unnerving her competition with boasts about her athletic versatility, inexhaustibility, and general superiority over all comers. ” As a track and field phenomenon prior to the Olympics, she annoyed her American teammates with her tricks and embarrassed them with her boasting predictions. —as something she regularly surpassed in practice.
Sports show hosts, as much a part of the American sport landscape today as the vaunted hotdogs and apple pies of yesteryear, refuse to even discuss them on their programs for fear of listener backlash from their primarily male demographic. The sad fact of the matter is that with the exception of the women’s tennis and golf tours, high-profiled women’s sport often runs headlong into two competitors it simply cannot beat—the men’s version of the same sport with its tradition and its emphasis on speed, power, and overall athleticism, and an overwhelmingly apathetic male-dominated viewing public.
A spot in the Chicago Defender, for example, touts her role as a pioneer. ”3 Yet, though Toni Stone was, indeed, the first woman to play Negro League ball, she was signed for one reason, and one reason alone. Her role, like that of the team’s other headline attractions, King Tut, the black “clown prince of baseball,” and Spec Bebop, a midget, was to increase attendance. ” Her pseudonym itself is a key to understanding her position on the team. 4 Recent scholarship by Martha Ackerman, Stone’s biographer, refutes Pollock’s claim.